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BIS-CD-1912/14
Total Time:
465'27
Release:
Jun 2008
EAN
7318591912149
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THE SIBELIUS EDITION Vol.5 – Orchestral Music for the Theatre
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6 CDs for the price of 3 For a detailed listing of this volume's contents, please click here (PDF format - Adobe Reader is required)
For more information about THE SIBELIUS EDITION, please click here
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CD 1:
Jean Sibelius
Kung Kristian II (King Christian II), Op.27
| 1. |
No.1. Elegy. Lento assai (Overture) |
5'50 |
| 2. |
No.2. Musette. Allegretto (Act II, Scene 2) |
2'06 |
| 3. |
No.3. Menuetto. Non troppo lento (Act III, Scene 1) |
1'51 |
| 4. |
No.4. Fool’s Song of the Spider (Act V, Scene 3) |
4'11 |
| 5. |
No.5. Nocturne. Moderato (After Act I) |
6'20 |
| 6. |
No.6. Serenade. Moderato assai – Moderato (Act III, Scene 1) |
4'22 |
| 7. |
No.7. Ballade. Allegro molto – Vivace (Act IV) |
5'32 |
Kuolema (Death), JS113
| 8. |
Scene I. Tempo di valse lente – Poco risoluto |
4'23 |
| 9. |
Scene II. Moderato (Paavali’s Song: ‘Pakkanen puhurin poika’) |
3'04 |
| 10. |
Scene III. Moderato assai – Moderato (Elsa’s Song: ‘Eilaa, eilaa’) – Poco adagio |
7'07 |
| 11. |
Scene IV. Andante (The Cranes) |
0'51 |
| 12. |
Scene V. Moderato |
2'25 |
| 13. |
Scene VI. Andante ma non tanto |
1'55 |
Svanevit (Swanwhite)
| 14. |
Preliminary sketch for No.9 (c.1908) |
0'50 |
Svanevit (Swanwhite). Original theatre music (1908)
| 15. |
No.1. A horn signal in the distance. Largo |
0'11 |
| 16. |
No.2. Comodo |
2'31 |
| 17. |
No.3. A swan flies past. Adagio |
0'16 |
| 18. |
No.4. Now the harp begins to play. Lento assai |
3'12 |
| 19. |
No.5. A white swan flies past. Adagio |
0'15 |
| 20. |
No.6. Swanwhite’s mother. Lento – Commodo – Lento – Allegro |
4'21 |
| 21. |
No.7. The harp falls briefly silent and strikes up a new melody. Andantino |
1'31 |
| 22. |
No.8. Elsewhere! Andante |
3'15 |
| 23. |
No.9. Stepmother: Where is the bride? Lento |
2'32 |
| 24. |
No.10. The golden clouds become rose red. Moderato |
2'17 |
| 25. |
No.11. Swanwhite. Allegretto |
0'57 |
| 26. |
No.12. Fire at the castle. Largamente |
1'27 |
| 27. |
No.13. Now the harp plays. Adagio |
1'41 |
| 28. |
No.14. All bend their knees as if in thanks and praise. Largamente molto |
1'23 |
CD 2:
Pelléas och Mélisande (Pelléas and Mélisande), JS147
| 1. |
No.1. Grave e largamente (Act I, Prelude, Scene 1) |
2'53 |
| 2. |
No.2. Andantino con moto (Act I, Scene 2) |
4'10 |
| 3. |
No.3. Adagio (Act I, Scene 4) |
2'02 |
| 4. |
No.4. Commodo (Act II, Prelude, Scene 1) |
1'53 |
| 5. |
No.5. Con moto (ma non tanto) (Act III, Prelude, Scene 1) |
1'59 |
| 6. |
No.6. Tranquillo (Mélisande’s Song, Act III, Scene 2) De trenne blinda systrar |
2'17 |
| 7. |
No.7. Andantino pastorale (Act III, Scene 4) |
1'52 |
| 8. |
No.8. Allegretto (Act IV, Prelude, Scene 1) |
2'47 |
| 9. |
No.9. [no tempo marking] (Act IV, Scene 2) |
3'00 |
| 10. |
No.10. Andante (Act V, Prelude, Scene 2) |
5'38 |
Jokamies (Jedermann), Op.83
| 11. |
No.1. Largo |
0'15 |
| 12. |
No.2. Largo |
1'04 |
| 13. |
No.3. Allegro |
1'25 |
| 14. |
No.3a. Allegro commodo |
0'08 |
| 15. |
No.4. Dance Song (‘Me kutsun saimme…’) Tempo commodo |
3'15 |
| 16. |
No.5. ‘On riemussa hetket mennehet taas’. Tempo andante |
0'14 |
| 17. |
No.6. ‘Kun vettä sataa, niin kastutaan’. Un poco con moto |
0'08 |
| 18. |
No.7. ‘Maat ja metsät viheriöivät…’ Tempo moderato |
0'58 |
| 19. |
No.8. ‘Oi, Lempi, armas Lempi!…’ Allegretto |
0'41 |
| 20. |
No.9. ‘Maat ja metsät viheriöivät…’ Tempo moderato |
1'10 |
| 21. |
No.10. Allegro molto |
2'31 |
| 22. |
No.11. Largo, sempre misterioso |
9'44 |
| 23. |
No.12. Adagio di molto |
2'58 |
| 24. |
No.13. Adagio di molto (continued) |
4'27 |
| 25. |
No.14. Largo e molto – Doloroso – Con grande dolore |
5'24 |
| 26. |
No.15. [Lento] |
3'37 |
| 27. |
No.16. ‘Gloria in excelsis Deo’. Sempre dolce sin al Fine |
2'12 |
CD 3:
Kuolema (Death), Op.44. Revised versions.
| 1. |
No.1. Valse triste (1904) |
4'22 |
| 2. |
No.2. Kurkikohtaus (Scene with Cranes). Andante sostenuto (1906) |
4'55 |
The Tempest, Op.109
| 3. |
No.1. [Overture – The Ship Sinks beneath the Waves]. Largamente molto |
6'36 |
| 4. |
No.2. Miranda is Lulled into Slumber. (Act I) |
1'43 |
| 5. |
No.3. Ariel Flies In. (Act I) |
0'20 |
| 6. |
No.4. Chorus of the Winds. (Act I) |
2'21 |
| 7. |
No.5. [Ariel Hastens Away]. (Act I) |
0'16 |
| 8. |
No.6. Ariel’s First Song, with Introduction and Choir. (Act I) ‘Hietikolle käymme näin’ |
1'57 |
| 9. |
No.7. Ariel’s Second Song. (Act I) ‘Sun isääs’ peittävät synkeät veet’ |
2'18 |
| 10. |
No.8. Interlude [Prospero]. (Act II) |
4'10 |
| 11. |
No.9. The Oak Tree (Ariel) Plays the Flute. (Act II) |
2'43 |
| 12. |
No.10. Ariel’s Third Song. (Act II) ‘Täällä senkun kuorsataan’ |
0'54 |
| 13. |
No.11. Interlude: Caliban. (Act II) |
1'20 |
| 14. |
No.12. Stephano’s Song. (Act II) ‘En enää lähde merelle’ |
1'11 |
| 15. |
No.13. Caliban’s Song. (Act II) ‘Hei, Prosperon perkele’ |
1'26 |
| 16. |
No.14. Interlude: Miranda. (Act III) |
1'43 |
| 17. |
No.15. [Humoresque]. (Act III) |
1'58 |
| 18. |
No.16. Canon [Caliban, Trinculo, Stephano]. (Act III) Kurkitaan, urkitaan |
2'09 |
| 19. |
No.17. Antonio. Dance of the Shapes. (Act III) |
5'05 |
| 20. |
No.18. Ariel as Harpy (– Melodrama). (Act III) |
1'56 |
| 21. |
No.19. The Shapes Dance Out (Ballet II). (Act III) |
1'53 |
| 22. |
No.20. Intermezzo [Alonso mourns]. (Act IV) |
1'58 |
| 23. |
No.21. [Ariel Flies In]. (Act IV) |
0'21 |
| 24. |
No.22. Ariel’s Fourth Song. (Act IV) ‘Ennen kuin ehdit huokaamaan’ |
0'45 |
| 25. |
No.23. The Rainbow. (Act IV) |
2'16 |
| 26. |
No.24. Iris’s Melodrama. (Act IV) |
1'00 |
| 27. |
No.25. [Juno’s Song]. (Act IV) ‘Kunnia ja vaurautta’ |
1'32 |
| 28. |
No.26. Dance of the Naiads. (Act IV) |
2'27 |
| 29. |
No.27. Dance of the Harvesters. (Act IV) |
1'47 |
| 30. |
No.28. [Ariel Flies In]. (Act IV) |
0'19 |
| 31. |
No.29. [Ariel Hastens Away] (Act IV) |
0'16 |
| 32. |
No.30. [Ariel Flies In]. (Act IV) |
0'19 |
| 33. |
No.31. The Dogs. (Act IV) |
0'59 |
| 34. |
No.31bis. Prelude. (Act V) |
1'02 |
| 35. |
No.32. [Ariel Brings the Foes to Prospero] (Act V) |
3'06 |
| 36. |
No.33. Ariel’s Fifth Song. (Act V) ‘Mä mettä janooni juoda saan’ |
1'00 |
| 37. |
No.34. Cortège. |
2'15 |
| 38. |
No.34bis. Ossia [Epilogue]. (Act V) |
1'20 |
The Tempest
| 39. |
Canon. (Preliminary version of movement No.5 of The Tempest Suite No.1, Op.109 No.2) |
2'02 |
CD 4:
Belsazars gästabud (Belshazzar’s Feast), JS48
| 1. |
No.1. Alla marcia. (Act I) |
2'03 |
| 2. |
No.2a. Prélude: Nocturno. (Act II) |
3'23 |
Belsazars gästabud (Belshazzar’s Feast), JS48
| 3. |
No.2b. The Jewish Girl’s Song. (Act II) ‘Vid älvarna i Babylon’ |
3'11 |
Belsazars gästabud (Belshazzar’s Feast), JS48
| 4. |
No.3. Allegretto (Act III) |
0'57 |
| 5. |
No.4. Dance of Life. (Act III) |
1'13 |
| 6. |
No.5. Dance of Death. (Act III) |
1'14 |
| 7. |
No.6. Dance of Life: extract. (Act III) |
0'30 |
| 8. |
No.7. Tempo sostenuto (Act IV) |
3'08 |
| 9. |
No.8. Allegro (Act IV) |
2'21 |
| 10. |
No.9. Dance of Life (shortened). (Act IV) |
0'48 |
| 11. |
No.10. Dance of Death (Act IV) |
1'14 |
Kung Kristian II (King Christian II), Op.27. Concert Suite
| 12. |
No.1. Nocturne. |
7'40 |
| 13. |
No.2. Elegy. |
5'23 |
| 14. |
No.3. Musette. |
2'12 |
| 15. |
No.4. Serenade. |
4'43 |
| 16. |
No.5. Ballade. |
5'14 |
Svanevit (Swanwhite), Op.54. Concert Suite
| 17. |
No.1. The Peacock. |
2'53 |
| 18. |
No.2. The Harp. |
3'22 |
| 19. |
No.3. The Maidens with Roses. |
2'33 |
| 20. |
No.4. Listen, the Robin Sings. |
4'55 |
| 21. |
No.5. The Prince Alone. |
3'56 |
| 22. |
No.6. Swanwhite and the Prince. |
3'33 |
| 23. |
No.7. Song of Praise. |
3'18 |
Twelfth Night, Op.60
| 24. |
No.1. ‘Kom nu hit, död’ (‘Come Away, Death’) |
2'48 |
Die Sprache der Vögel (The Language of the Birds), JS62
| 25. |
Wedding March (Act III) |
3'27 |
CD 5:
Belsazars gästabud (Belshazzar’s Feast), Op.51. Concert Suite
| 1. |
No.1. Oriental Procession. |
2'18 |
| 2. |
No.2. Solitude. |
2'52 |
| 3. |
No.3. Nocturne. |
5'05 |
| 4. |
No.4. Khadra’s Dance. |
3'42 |
Scaramouche, Op.71
| 5. |
Scene 1 (Act I) |
0'49 |
| 6. |
Scene 2 (Act I) |
0'26 |
| 7. |
Scene 3 (Act I) |
5'03 |
| 8. |
Scene 4 (Act I) |
2'41 |
| 9. |
Scene 5 (Act I) |
7'25 |
| 10. |
Scene 6 (Act I) |
2'44 |
| 11. |
Scene 7 (Act I) |
0'39 |
| 12. |
Scene 8 (Act I) |
2'30 |
| 13. |
Scene 9 (Act I) |
0'35 |
| 14. |
Scene 10 (Act I) |
5'57 |
| 15. |
Scene 1 (Act II) |
0'20 |
| 16. |
Scene 2 (Act II) |
0'18 |
| 17. |
Scene 3 (Act II) |
1'27 |
| 18. |
Scene 1 (Act II) |
0'24 |
| 19. |
Scene 5 (Act II) |
2'58 |
| 20. |
Scene 6 (Act II) |
2'16 |
| 21. |
Scene 7 (Act II) |
7'02 |
| 22. |
Scene 8 (Act II) |
3'15 |
| 23. |
Scene 9 (Act II) |
3'37 |
| 24. |
Scene 10 (Act II) |
13'00 |
| 25. |
Scene 11 (Act II) |
0'36 |
CD 6:
Pelléas och Mélisande (Pelléas and Mélisande), Op.46. Concert Suite
| 1. |
No.1. At the Castle Gate. |
3'49 |
| 2. |
No.2. Mélisande. |
4'15 |
| 3. |
No.2a. At the Seashore. |
1'48 |
| 4. |
No.3. By a Spring in the Park. |
2'23 |
| 5. |
No.4. The Three Blind Sisters. |
2'29 |
| 6. |
No.5. Pastorale. |
2'01 |
| 7. |
No.6. Mélisande at the Spinning Wheel. |
2'14 |
| 8. |
No.7. Entr’acte. |
2'49 |
| 9. |
No.8. The Death of Mélisande. |
6'04 |
Kuolema (Death), Op.62. Additional movements for 1911 production
| 10. |
a. Canzonetta. |
3'41 |
| 11. |
b. Valse romantique. |
3'52 |
| 12. |
The Tempest. Prelude, Op.109 No.1. |
4'50 |
The Tempest. Suite No.1, Op.109 No.2
| 13. |
No.1. The Oak Tree. |
2'25 |
| 14. |
No.2. Humoresque. |
1'00 |
| 15. |
No.3. Caliban’s Song. |
1'09 |
| 16. |
No.4. The Harvesters. |
2'12 |
| 17. |
No.5. Canon. |
1'24 |
| 18. |
No.6. Scene. |
1'31 |
| 19. |
No.7. Intrada. Berceuse. |
2'06 |
| 20. |
No.8. Entr’acte. Ariel’s Song. |
3'14 |
| 21. |
No.9. The Storm. |
3'13 |
The Tempest. Suite No.2, Op.109 No.3
| 22. |
No.1. Chorus of the Winds. |
3'14 |
| 23. |
No.2. Intermezzo. |
1'39 |
| 24. |
No.3. Dance of the Nymphs. |
1'49 |
| 25. |
No.4. Prospero. |
1'50 |
| 26. |
No.5. Song I. |
1'08 |
| 27. |
No.6. Song II. |
1'01 |
| 28. |
No.7. Miranda. |
2'03 |
| 29. |
No.8. The Naiads. |
1'23 |
| 30. |
No.9. Dance Episode. |
1'23 |
Lahti Symphony Orchestra, orchestra
Göteborgs Symfoniker, orchestra
Neeme Järvi, conductor
Osmo Vänskä, conductor
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